Different Setups for Stories

So, as a writer of many disciplines I often do quite a bit of research on many subjects. I find it quite necessary to know the many ways to concoct a story structure depending on which type of story you are working with. Whether it be, sequential art stories, prose, verse, screenplays, or stage plays. So here is a look at the different setups for stories in sequential art:

DIFFERENT SETUPS FOR STORIES

MINISERIES- A story or comic with a predetermined number of issues. Has two specific rules to adhere to.
                1. Have enough story for the allotted amount of pages allowed each issue. Have time for rewriting.
               2. Must be a change, development, or reverse in every issue until a climax is reached, then dénouement. Keep the story moving!

GRAPHIC NOVEL- A story in which many things happen, and many characters exist. Must keep moving up and up constantly. The reader must be constantly fed new information to help further understand the world in which the graphic novel lives.

MAXISERIES- Should have a unifying theme and continuity of plot. Must reach a conclusion that answers all plot and character questions, ties all elements together despite diversity. Doesn't have to be tightly plotted as a novel, stories can be diverse and unconnected but must tie in at conclusion. Usually twelve issues long.

ONGOING STORIES- The sort of traditional tips of comics. Deal with problems of continuity and continued stories. Three ways to write continuous stories in an ongoing title.
               1. Story Arcs- The twin of miniseries so to speak. Arc is a part of continuum though. Must have enough plot for allotted number of pages. Reintroduce characters and locales. Have fully outlined plots.
               2. The Levitz Paradigm- A grid like format that helps track main plots and sub plots in a single ongoing title or many titles. See p.101 of The DC Comics Guide to Writing Comics by Dennis O'Neil.
              3. Chart Form- A form in which many titles with the same character involved; helps track the plots and sub plots dealt with in each separate title to tie in with the one main plot.

MEGASERIES- A long continuity which stars a single set of characters and appears in several titles. Falls back on the old three-act-structure. Outline for story should be at least twelve pages long. In addition to the main plot there are usually a dozen other subplots. Should have narrative explaining the story in each issue. Every scene should point to a climax and no page wasted. Story must justify the space allotted to it.